High Water Marks: Art & Renewal After Katrina opened in the Amistad Center for Art & Culture (within the Wadsworth Atheneum) at the beginning of May.
Music — which should be pumped throughout the museum, so that the deafening solitude which marks it vanishes into the background — plays in the exhibit, to help set the mood. One of my strongest recollections of a trip to MASS MoCA last summer was the music that was part of a New Orleans’ themed artwork. The uptempo jazz was juxtaposed with photos of New Orleans– a culturally natural and appropriate combination, but odd when the images were of Hurricane Katrina’s destruction. Here, at the Wadsworth, a similar thing happens when this music (though the volume is fairly muted) is the backdrop for a Katrina-themed exhibit.
This exhibit contains an interesting mix of materials — washboard, pots and pans, an umbrella, wood, and then more traditional media. The “Black Bowl” by Donald Boudreaux is a black umbrella against a black backdrop. The artist invites visitors to sit in a chair to view it. From this spot, one can look out the window and see the giant red Travelers’ umbrella. Luis Cruz Azaceta’s “At the Bottom of the Pot” is an assortment of pots and pans that are covered with photographs depicting Hurricane Katrina’s damage. Radcliffe Barley’s “Storm at Sea” is a dramatic mixed media piece that blocks off an entire hallway.
The exhibit runs through mid-September of this year.
